Today, I am reviewing a hard rubber tenor saxophone mouthpiece from Gottsu mouthpieces in Japan. I had received some emails from a few different fans of my site who were impressed with the Gottsu sax mouthpieces they had played and I decided to reach out to the Gottsu company and see if I could review some of their mouthpieces. In response, they sent me a beautiful Gottsu Sepia Tone Jazz Metal Tenor saxophone mouthpiece that I reviewed last year which I loved!
Gottsu recently sent me two more beautiful saxophone mouthpieces to review. They are the hard rubber Gottsu Sepia Tone VI Marble tenor and alto saxophone mouthpieces. The alto saxophone mouthpiece is a 7 tip opening and the tenor saxophone mouthpiece that I am reviewing today is a 7* tip opening.
Gottsu Sepia Tone VI Marble Tenor Saxophone Mouthpiece
The Gottsu Sepia Tone VI Marble saxophone mouthpiece I received is beautiful as you can see in the photos. It is made of hard rubber with a colored marble like design to it. It is a 7* tip opening which according to the tip opening chart on the Gottsu website is a .102 tip opening. The mouthpiece really is a work of art. The craftsmanship looks amazing. The mouthpiece has “Gottsu VI” engraved on the top and “Sepia Tone” engraved on the gold band of the shank. Japan is engraved on the bottom of the gold band and the tip opening of 7* is engraved on the right side of the mouthpiece as you look at the table.
The table, tip rail, side rails and baffle look great to the eye. The side rails are a bit thicker that the rails of the Gottsu Jazz metal tenor sax mouthpiece I reviewed last year. The tip rail looks thin, even and balanced. The mouthpiece table is a little bit wider and longer than my Rigotti Gold tenor saxophone reeds and the curve of the tip rail lined up with the shape of the Rigotti saxophone reed tip nicely. The side rails do flare out a bit as they head towards the tip rail which means you can see the tip rail extend out on the sides of the reed near the tip of the reed. This might be a concern if the side rails were really thin but because they are wider rails the reed still seals well when the mouthpiece seal test is performed on it.
Gottsu Sepia Tone VI Marble Tenor Saxophone Mouthpiece
The baffle is a rollover baffle that I would consider a medium rollover baffle height. The baffle is not flat side to side but has a side to side curve to it that looks to follow the whole length of the baffle until it terminates at the end of the mouthpiece chamber similar to how the baffle looked in the Gottsu metal jazz mouthpiece.
The chamber looks close in size to a typical hard rubber Otto Link sized chamber. The curve at the bottom of the chamber does extend a little lower than the bottom of the bore circumference so it might be a tad larger than a hard rubber Link chamber but it looks pretty close. You can see an edge at the rear of the chamber where the bore starts when looking into the chamber from the tip side of the mouthpiece.
The inside of the side rails are scooped out nicely and the scooped shape continues into the round chamber as you look into the chamber from the tip.
Gottsu Sepia Tone VI Marble Tenor Saxophone Mouthpiece
The Gottsu Sepia Tone VI Marble tenor sax mouthpiece is also similar in size to a typical hard rubber Otto Link mouthpiece as I used a generic metal ligature that I use on hard rubber Otto Links as well as the Boston Sax Shop Superlative ligature that I reviewed a few weeks ago on the Gottsu VI marble tenor saxophone mouthpiece. The beak profile also feels very comfortable and similar in shape to the beak profile on a hard rubber Otto Link tenor saxophone mouthpiece.
Gottsu Sepia Tone VI Marble Tenor Saxophone Mouthpiece
Here is a quote from the Gottsu mouthpiece website on the Gottsu Sepia Tone VI marble tenor saxophone mouthpiece:
Sepia Tone VI Marble
Baritone / Tenor / Alto
Sepia Tone VI is the standard Gottsu model, and the most popular in Japan. The “VI” label stands for “Vintage”; it is only coincidentally also the roman numeral VI. The features of this model are its dark, focused sound and ease of blowing. With the Gottsu Sepia Tone VI, you are free to make your own sound.
I made this model to give musicians nostalgia while playing it. The style is designed to reflect the vintage jazz era. Although other styles and sounds are fun to explore for a while, this mouthpiece will be the favorite that you always return to.
The reason I decided to implement 5-axis center machining at Gottsu was because of this model. I really wanted to make the best hard-rubber mouthpiece in the world, so I spent many hours studying the programming in order to fix errors by myself. That is how I started to create this Sepia Tone VI model.
—Masahiko Goto—
Types: Baritone, Tenor, Alto, Sopran
Material：Hard-rubber
Chamber shape：Round
Baffle：Roll-over baffle
Features and Tone：
Dark sound,
Freedom of expression,
Easy blowing,
Easy to control
Style：Jazz
* Natural wooden reed recommended
Gottsu Sepia Tone VI Marble Tenor Saxophone Mouthpiece
The Gottsu Sepia Tone VI marble tenor saxophone mouthpiece played great for me with Rigotti Gold tenor saxophone reeds. I decided to record some clips with a Rigotti 2 1/2 Strong reed, Rigotti 3 Light reed and a Rigotti 3 1/2 Light reed just so you can hear the differences in sound that the different reed strengths produced for me. I would say that the Rigotti 3 Light reed felt the most comfortable to me.
The tone of the Gottsu Sepia Tone VI tenor mouthpiece is kind of in the middle of the range from dark to bright but I did find it leaning to the dark side in my opinion. With the softer Rigotti 2 1/2 reed I felt like the tone was brighter and more focused sounding. With the harder reeds the tone of the Gottsu VI mouthpiece seemed richer and more complex to me but also more spread sounding. The harder reeds made the tone less focused and pure and more spread and rich in character if that makes sense.
Gottsu Sepia Tone VI Marble Tenor Saxophone Mouthpiece
The intonation with the Gottsu VI marble hard rubber tenor mouthpieces was very good. Nothing unusual to report but just that the intonation was as it usually is on my SBA (Super Balanced Action) tenor saxophone.
I felt like the max volume I could get out of the Gottsu Sepia Tone VI tenor sax mouthpiece was similar to what I can get out of a great hard rubber Otto Link. I would say that between 1-10 my max volume on the Gottsu was about a 7.5 or 8. That is common with this type of mouthpiece for me and usually I will experience more volume with a mouthpiece with a higher rollover baffle like an EB Otto Link.
Due to the darker more “spread” nature to the tone, I don’t think I would want to play this mouthpiece on a loud “top 40” type gig where you would have to cut through the band. I don’t think it would give me enough volume and the tone does not have as many highs and brights in the sound to help it cut through as other pieces I have reviewed.
The Gottsu Sepia Tone VI marble hard rubber tenor mouthpiece is a great choice for players that want a mouthpiece that is great for jazz playing and leans to the darker side of a tenor sax tone. It has a full bodied tone that is rich in character (especially with the harder reed on it), and is a great mouthpiece to play jazz standards on.
Gottsu Sepia Tone VI Marble Tenor Saxophone Mouthpiece
If you like the sound and look of the Gottsu Sepia Tone VI marble tenor saxophone mouthpiece, you can find more information about them on the Gottsu website. I don’t see any way to purchase a mouthpiece on the Gottsu website though. I think you have to click on the Store tab and then choose a distributor to contact to buy a mouthpiece.
Unfortunately, I don’t see any US distributors of these Gottsu tenor sax mouthpiece right now on the Gottsu website so if you are in the US and are interested in trying one of these mouthpieces out, you might have to reach out the Gottsu company through their website for more information.
I just want to thank and commend Masahiko Goto at the Gottsu company for doing a great job on this Gottsu Sepia Tone VI Marble tenor saxophone mouthpiece and for sending it to me to try out for this review. It really is a well crafted and beautiful saxophone mouthpiece that plays exceptionally well.
If you have played or end up playing a Gottsu Sepia Tone VI marble tenor saxophone mouthpiece or have any other thoughts or comments about this review, I would love to hear what you think in the comments below. Thanks, Steve
Gottsu Sepia Tone VI Marble Tenor Saxophone Mouthpiece-Rigotti Gold 2 1/2 Strong Reed-No Reverb Added
Gottsu Sepia Tone VI Marble Tenor Saxophone Mouthpiece-Rigotti Gold 3 Light Reed-No Reverb Added
Gottsu Sepia Tone VI Marble Tenor Saxophone Mouthpiece-Rigotti Gold 3 1/2 Light Reed-No Reverb Added
